As earlier the girl generally appeared in the roles of the dancers and plain women, the role of the beautiful woman Doña Sol was perceived by the audience cautiously. The year 1941 became important for the actress as that year Hayworth took part in the movie Blood and Sand. Rita Hayworth in the picture Blood and Sand For a couple of years she took part in the following movies - Music in My Heart, Susan and God, Angels Over Broadway, The Strawberry Blonde and other pictures. Then Jean Arthur and Cary Grant were working on the same movie set with the girl.Īfter this, the actress began to receive more and more invitations to take part in the shootings. Though it wasn't the main role, she performed the noticeable character, and the spectators liked her from the first seconds of her appearance on the screen. ![]() Thus, in 1939 Rita enriched her filmography with the movie under the title Only Angels Have Wings. Thanks to him the girl concluded the contract with the well-known studio Columbia Pictures. Edwards had some communications in the show business industry. Hayworth’s first husband Eddie Judson helped her to find her way to the world of big cinematography. In a couple of movies, she performed together with the Hollywood star, dancer, choreographer and singer Fred Astaire. The future actress appeared only in the dancing scenes. The year 1935 didn't bring popularity to the actress though it was plentiful for her. Next time she received the invitation to take part in the picture only in 1934, and the girl's name even didn't appear in the titles. Since that moment the girl fell in love with cinematography and finally decided that she would dedicate her life to the movie industry. The actress took part in her first shootings in 1926 in the movie under the title La Fiesta. ![]() So, her participation in the performances was limited to the dances on the background. Though, her young age and absence of the artist’s education didn’t allow her to get leading roles. At that time she began to receive her first offers on the participation in the musicals. The dancer attracted the views of the audience, and the owners of the movie studios often paid attention at her. At the age of twelve, she already was an attractive girl and looked more like an adult girl than a child. Margarita had to become mature at an early age. In order to earn some money, all the family decided to travel around the country, entertaining the public with dancing performances. During some time the school functioned successfully, though after the economic crisis called Great Depression Cansino’s business fell into decay, and he had to close the school. This happened because of the fact that the girl had frequent training and performances and had to skip the lessons at the school.Ī little bit later Cansino’s family moved to Los Angeles where the girl’s father opened his new dancing studio which became popular in a short time and was demanded among the residents of the city. In fact, the girl’s practice of choreography replaced education for her. In such a way Margarita began to be engaged in the dancing. When Rita was three years old, her father brought the girl to the dancing school where later she would spend time till night. Rita Hayworth with her brothers in the childhood The parents of the girl were creative people that's why the future of the actress was predetermined already in childhood. ![]() ![]() Her mother was a chorister in the theatrical shows of Ziegfeld Follies which at that time were very successful. Her father Eduardo Cansino had a Spanish background, the man was working as a choreographer and even founded his own dancing studio. Margarita Carmen Cansino, the initial and original name of the future actress, was born in autumn of 1918 in New York. Despite this fact, she was just once nominated for Golden Globe Awards and wasn’t nominated for Academic Awards at all. The Hollywood actress Rita Hayworth is one of the best-known stars of the 1940-s who became famous not only due to the shootings in the American movies, but she was a great dancer as well.
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